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10 songs that feel like End of the Beginning

Matched to End of the Beginning by Black Sabbath on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

End of the Beginning
The song you love
End of the Beginning
Black Sabbath
intense 77/100 intensity 85 BPM
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Street Hassle — Lou Reed intense 60 BPM

A 85% feel-match — carries the same dark pull and sits a little calmer at 62/100.

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Rock Minuet — Lou Reed intense 85 BPM

86% match across our 8 measured dimensions; it sits a little calmer at 65/100. Same layered texture.

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White Elephant — Nick Cave & Warren Ellis intense 85 BPM

Keeps the same heavy pull — lands at almost exactly the same energy (82/100). Measured 89% alike. Nearly the same tempo, too (85 BPM).

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Polly — Nirvana intense 95 BPM

Measures 83% the same. It sits a little calmer at 60/100. Same layered texture.

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Harvester of Sorrow — Metallica intense 120 BPM

A 78% feel-match — carries the same dark pull and sits a little calmer at 64/100.

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Untitled #8 — Sigur Rós intense 70 BPM

90% match across our 8 measured dimensions; it runs a little hotter at 84/100. Same layered texture.

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Confutatis — Wolfgang Amadeus Mozart intense 80 BPM

Keeps the same heavy pull — runs a little hotter at 83/100. Measured 90% alike. Nearly the same tempo, too (80 BPM).

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Warped — Red Hot Chili Peppers intense 95 BPM

Measures 77% the same. It sits a little calmer at 61/100. Same layered texture.

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The Argument — Fugazi intense 95 BPM

A 86% feel-match — carries the same heavy pull and sits a little calmer at 65/100.

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FEEL. — Kendrick Lamar intense 95 BPM

88% match across our 8 measured dimensions; it sits a little calmer at 65/100. Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when End of the Beginning is more than you want right now.

Meat Is Murder by The Smiths
Meat Is Murder — The Smiths moderate 95 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 7 where the original climbs to 9. Intensity 58/100, down from 77. Nearly the same tempo, too.

Woman in Chains by Tears for Fears
Woman in Chains — Tears for Fears moderate 104 BPM

Its dynamic range stays a gentler 7 where the original climbs to 9, so it lands at 58/100 — the pull without the edge.

Long Time Gone by Crosby, Stills & Nash
Long Time Gone — Crosby, Stills & Nash moderate 92 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 7 where the original climbs to 9. Reads 50/100. Nearly the same tempo, too.

Youngstown by Bruce Springsteen
Youngstown — Bruce Springsteen moderate 90 BPM

Holds the same feel while its dynamic range stays a gentler 5 where the original climbs to 9. 35/100, versus the original's 77. Nearly the same tempo, too.

Wesley's Theory by Kendrick Lamar
Wesley's Theory — Kendrick Lamar moderate 92 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 7 where the original climbs to 9. Intensity 57/100, down from 77. Nearly the same tempo, too.

Get Him Back by Fiona Apple
Get Him Back — Fiona Apple moderate 95 BPM

Its dynamic range stays a gentler 7 where the original climbs to 9, so it lands at 62/100 — the pull without the edge. Nearly the same tempo, too.

I Need a Doctor by Dr. Dre
I Need a Doctor — Dr. Dre moderate 90 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 7 where the original climbs to 9. Reads 56/100. Nearly the same tempo, too.

Orchid by Black Sabbath
Orchid — Black Sabbath safe 75 BPM

Holds the same feel while its dynamic range stays a gentler 3 where the original climbs to 9. 10/100, versus the original's 77. Nearly the same tempo, too.

Frequently asked

What songs sound like “End of the Beginning” by Black Sabbath?

The closest feel-matches we measure are “Street Hassle” by Lou Reed, “Rock Minuet” by Lou Reed, “White Elephant” by Nick Cave & Warren Ellis — the top match scores 85% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “End of the Beginning” but calmer?

“Meat Is Murder” by The Smiths, “Woman in Chains” by Tears for Fears, “Long Time Gone” by Crosby, Stills & Nash keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “End of the Beginning”?

It measures 77/100 on our intensity scale, computed from a dynamic range of 9/10, layered texture, frequent sudden shifts, and dynamic vocals. Tempo is 85 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

This is one of the more intense things in our library — more energetic than 93% of the 19,209 songs we've measured. Its intensity reading of 77/100 comes from a dynamic range of 9/10, layered texture, frequent shifts, and dynamic vocals. Relatively few songs occupy this exact corner of the spectrum.

What makes it unusual

What stands out most about this song is a huge quiet-to-loud swing: more extreme on that axis than 96% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep0/10
Focus1/10
Workout5/10
Dinner4/10
Party / hype6/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

2013 in context

The 408 songs we’ve measured from 2013 average a dynamic range of 6.5/10. At 9/10, this track is louder and more dynamic than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity77
Dynamics89
Tempo25
Surprise75
Density33
Predictability100
Vocal force75
Trigger load50

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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