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10 songs that feel like Dumpweed

Matched to Dumpweed by Blink-182 on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

Dumpweed
The song you love
Dumpweed
Blink-182
moderate 52/100 intensity 150 BPM
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Faith — The Weeknd moderate 164 BPM

A 97% feel-match — carries the same heavy pull and lands at almost exactly the same energy (53/100).

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Robot Rock — Daft Punk moderate 123 BPM

93% match across our 8 measured dimensions; it lands at almost exactly the same energy (53/100). Same layered texture.

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Party Monster — The Weeknd moderate 150 BPM

Keeps the same energetic pull — lands at almost exactly the same energy (52/100). Measured 99% alike. Nearly the same tempo, too (150 BPM).

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Spiral Architect — Black Sabbath moderate 152 BPM

Measures 96% the same. It lands at almost exactly the same energy (56/100). Same layered texture.

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Ohio — Crosby, Stills, Nash & Young moderate 128 BPM

A 96% feel-match — carries the same heavy pull and lands at almost exactly the same energy (50/100).

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Keep the Customer Satisfied — Simon & Garfunkel moderate 115 BPM

93% match across our 8 measured dimensions; it lands at almost exactly the same energy (49/100). Same layered texture.

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Ndiaye — Youssou N'Dour moderate 115 BPM

Keeps the same heavy pull — lands at almost exactly the same energy (49/100). Measured 93% alike.

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Box Elder — Pavement moderate 145 BPM

Measures 99% the same. It lands at almost exactly the same energy (51/100). Same layered texture.

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Iron Man — Black Sabbath moderate 130 BPM

A 94% feel-match — carries the same heavy pull and lands at almost exactly the same energy (54/100).

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Cities in Dust — Siouxsie and the Banshees moderate 120 BPM

94% match across our 8 measured dimensions; it lands at almost exactly the same energy (49/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Dumpweed is more than you want right now.

Changes by David Bowie
Changes — David Bowie safe 124 BPM

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 27/100, down from 52.

9 to 5 by Dolly Parton
9 to 5 — Dolly Parton safe 120 BPM

It stays in our safe band start to finish, so it lands at 42/100 — the pull without the edge.

Two Doors Down by Dolly Parton
Two Doors Down — Dolly Parton safe 120 BPM

If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 36/100.

Why'd You Come in Here Lookin' Like That by Dolly Parton
Why'd You Come in Here Lookin' Like That — Dolly Parton safe 120 BPM

Holds the same feel while it stays in our safe band start to finish. 45/100, versus the original's 52.

Here I Am by Dolly Parton
Here I Am — Dolly Parton safe 120 BPM

Keeps the same feel of the original, but it stays in our safe band start to finish. Intensity 45/100, down from 52.

Material Girl by Madonna
Material Girl — Madonna safe 120 BPM

Nothing in it lurches or startles, so it lands at 35/100 — the pull without the edge.

Hung Up by Madonna
Hung Up — Madonna safe 126 BPM

If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 45/100.

Holiday by Madonna
Holiday — Madonna safe 120 BPM

Holds the same feel while nothing in it lurches or startles. 35/100, versus the original's 52.

Frequently asked

What songs sound like “Dumpweed” by Blink-182?

The closest feel-matches we measure are “Faith” by The Weeknd, “Robot Rock” by Daft Punk, “Party Monster” by The Weeknd — the top match scores 97% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Dumpweed” but calmer?

“Changes” by David Bowie, “9 to 5” by Dolly Parton, “Two Doors Down” by Dolly Parton keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Dumpweed”?

It measures 52/100 on our intensity scale, computed from a dynamic range of 6/10, layered texture, mild sudden shifts, and dynamic vocals. Tempo is 150 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 68% of songs, calmer than the other 32%. Its intensity reading of 52/100 comes from a dynamic range of 6/10, layered texture, mild shifts, and dynamic vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is a fast, driving tempo: more extreme on that axis than 95% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep3/10
Focus7/10
Workout6/10
Dinner7/10
Party / hype6/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1999 in context

The 304 songs we’ve measured from 1999 average a dynamic range of 6.3/10. At 6/10, this track is right in line with its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity52
Dynamics56
Tempo61
Surprise25
Density33
Predictability50
Vocal force75
Trigger load0

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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