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10 songs that feel like Driven to Tears

Matched to Driven to Tears by The Police on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

The song you love
Driven to Tears
The Police
moderate 55/100 intensity 140 BPM
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Yikes — Kanye West moderate 140 BPM

A 99% feel-match — carries the same intense pull and lands at almost exactly the same energy (55/100). Nearly the same tempo, too (140 BPM).

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Hurricane — Bob Dylan moderate 144 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (55/100). Same layered texture.

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I've Been Losing You — a-ha moderate 134 BPM

Keeps the same intense pull — lands at almost exactly the same energy (54/100). Measured 99% alike. Nearly the same tempo, too (134 BPM).

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Slow Train — Bob Dylan moderate 120 BPM

Measures 96% the same. It lands at almost exactly the same energy (53/100). Same layered texture.

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Los Angeles — X moderate 140 BPM

A 99% feel-match — carries the same energetic pull and lands at almost exactly the same energy (55/100). Nearly the same tempo, too (140 BPM).

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The Unheard Music — X moderate 140 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (55/100). Same layered texture.

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Red — Taylor Swift moderate 130 BPM

Keeps the same intense pull — lands at almost exactly the same energy (54/100). Measured 98% alike.

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Stay in Your Grave — The Black Keys feat. Alice Cooper moderate 128 BPM

Measures 98% the same. It lands at almost exactly the same energy (54/100). Same layered texture.

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Limelight — Rush moderate 137 BPM

A 99% feel-match — carries the same energetic pull and lands at almost exactly the same energy (54/100). Nearly the same tempo, too (137 BPM).

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No I in Threesome — Interpol moderate 128 BPM

98% match across our 8 measured dimensions; it lands at almost exactly the same energy (54/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Driven to Tears is more than you want right now.

Concerto for 4 Violins in B Minor, Op. 3 No. 10, RV 580 by Antonio Vivaldi

Keeps the same feel of the original, but it stays in our safe band start to finish. Intensity 39/100, down from 55.

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Concerto in E-flat "Dumbarton Oaks" — Igor Stravinsky safe 120 BPM

Its dynamic range stays a gentler 5 where the original climbs to 7, so it lands at 35/100 — the pull without the edge.

It's Too Late by Carole King
It's Too Late — Carole King safe 126 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 5 where the original climbs to 7. Reads 24/100.

10:15 Saturday Night by The Cure
10:15 Saturday Night — The Cure safe 128 BPM

Holds the same feel while its dynamic range stays a gentler 4 where the original climbs to 7. 20/100, versus the original's 55.

I Wanna Dance with Somebody by Whitney Houston
I Wanna Dance with Somebody — Whitney Houston safe 119 BPM

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 40/100, down from 55.

The Less I Know the Better by Tame Impala
The Less I Know the Better — Tame Impala safe 116 BPM

Its dynamic range stays a gentler 5 where the original climbs to 7, so it lands at 29/100 — the pull without the edge.

The Times They Are a-Changin' by Bob Dylan
The Times They Are a-Changin' — Bob Dylan safe 120 BPM

If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 27/100.

Changes by David Bowie
Changes — David Bowie safe 124 BPM

Holds the same feel while nothing in it lurches or startles. 27/100, versus the original's 55.

Frequently asked

What songs sound like “Driven to Tears” by The Police?

The closest feel-matches we measure are “Yikes” by Kanye West, “Hurricane” by Bob Dylan, “I've Been Losing You” by a-ha — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Driven to Tears” but calmer?

“Concerto for 4 Violins in B Minor, Op. 3 No. 10, RV 580” by Antonio Vivaldi, “Concerto in E-flat "Dumbarton Oaks"” by Igor Stravinsky, “It's Too Late” by Carole King keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Driven to Tears”?

It measures 55/100 on our intensity scale, computed from a dynamic range of 7/10, layered texture, mild sudden shifts, and dynamic vocals. Tempo is 140 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 75% of songs, calmer than the other 25%. Its intensity reading of 55/100 comes from a dynamic range of 7/10, layered texture, mild shifts, and dynamic vocals. Relatively few songs occupy this exact corner of the spectrum.

What makes it unusual

What stands out most about this song is a fast, driving tempo: more extreme on that axis than 90% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep3/10
Focus7/10
Workout7/10
Dinner7/10
Party / hype6/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1980 in context

The 257 songs we’ve measured from 1980 average a dynamic range of 6.3/10. At 7/10, this track is louder and more dynamic than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity55
Dynamics67
Tempo56
Surprise25
Density33
Predictability50
Vocal force75
Trigger load13

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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