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10 songs that feel like Double Sextet

Matched to Double Sextet by Steve Reich on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

The song you love
Double Sextet
Steve Reich
moderate 41/100 intensity 144 BPM
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Why We Fight — Tortoise moderate 120 BPM

A 93% feel-match — carries the same contemplative pull and lands at almost exactly the same energy (39/100).

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The Suspension Bridge at Iguazu Falls — Tortoise moderate 120 BPM

93% match across our 8 measured dimensions; it lands at almost exactly the same energy (39/100). Same layered texture.

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Boxcar — Tortoise moderate 120 BPM

Keeps the same contemplative pull — lands at almost exactly the same energy (39/100). Measured 93% alike.

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Prepare Your Coffin — Tortoise moderate 120 BPM

Measures 93% the same. It lands at almost exactly the same energy (39/100). Same layered texture.

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Disintegration Anxiety — Explosions in the Sky moderate 140 BPM

A 91% feel-match — carries the same intense pull and lands at almost exactly the same energy (41/100). Nearly the same tempo, too (140 BPM).

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Sama Layuca — McCoy Tyner moderate 120 BPM

92% match across our 8 measured dimensions; it lands at almost exactly the same energy (43/100). Same layered texture.

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Ephemeral — Pelican moderate 120 BPM

Keeps the same contemplative pull — lands at almost exactly the same energy (43/100). Measured 92% alike.

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Two Thousand and Seventeen — Four Tet safe 120 BPM

Measures 92% the same. It sits a little calmer at 35/100. Same layered texture.

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Rumble — Link Wray moderate 140 BPM

A 94% feel-match — carries the same intense pull and lands at almost exactly the same energy (45/100). Nearly the same tempo, too (140 BPM).

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Bright Size Life — Pat Metheny moderate 140 BPM

91% match across our 8 measured dimensions; it lands at almost exactly the same energy (41/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Double Sextet is more than you want right now.

It's Too Late by Carole King
It's Too Late — Carole King safe 126 BPM

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 24/100, down from 41.

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Hometown Glory — Adele safe 124 BPM

It stays in our safe band start to finish, so it lands at 33/100 — the pull without the edge.

Violin Phase by Steve Reich
Violin Phase — Steve Reich safe 144 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 4 where the original climbs to 6. Reads 28/100. Nearly the same tempo, too.

An Ending (Ascent) by Brian Eno
An Ending (Ascent) — Brian Eno safe 60 BPM

Holds the same feel while its dynamic range stays a gentler 4 where the original climbs to 6. 12/100, versus the original's 41.

Both Sides, Now by Joni Mitchell
Both Sides, Now — Joni Mitchell safe 82 BPM

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 27/100, down from 41.

Nocturne in E-flat major, Op. 9 No. 2 by Frédéric Chopin
Nocturne in E-flat major, Op. 9 No. 2 — Frédéric Chopin safe 60 BPM

It stays in our safe band start to finish, so it lands at 25/100 — the pull without the edge.

Sittin' On The Dock of the Bay by Otis Redding
Sittin' On The Dock of the Bay — Otis Redding safe 88 BPM

If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 20/100.

Blowin' in the Wind by Bob Dylan
Blowin' in the Wind — Bob Dylan safe 80 BPM

Holds the same feel while its dynamic range stays a gentler 3 where the original climbs to 6. 12/100, versus the original's 41.

Frequently asked

What songs sound like “Double Sextet” by Steve Reich?

The closest feel-matches we measure are “Why We Fight” by Tortoise, “The Suspension Bridge at Iguazu Falls” by Tortoise, “Boxcar” by Tortoise — the top match scores 93% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Double Sextet” but calmer?

“It's Too Late” by Carole King, “Hometown Glory” by Adele, “Violin Phase” by Steve Reich keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Double Sextet”?

It measures 41/100 on our intensity scale, computed from a dynamic range of 6/10, layered texture, mild sudden shifts, and instrumental. Tempo is 144 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 35% of songs, calmer than the other 65%. Its intensity reading of 41/100 comes from a dynamic range of 6/10, layered texture, mild shifts, and instrumental. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is a fast, driving tempo: more extreme on that axis than 94% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep6/10
Focus10/10
Workout5/10
Dinner8/10
Party / hype5/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

2007 in context

The 311 songs we’ve measured from 2007 average a dynamic range of 6.3/10. At 6/10, this track is right in line with its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity41
Dynamics56
Tempo58
Surprise25
Density33
Predictability50
Vocal force0
Trigger load38

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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