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10 songs that feel like Crying

Matched to Crying by Roy Orbison on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

Crying
The song you love
Crying
Roy Orbison
moderate 62/100 intensity 98 BPM
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Ain't Too Proud to Beg — The Temptations moderate 95 BPM

A 99% feel-match — carries the same emotional pull and lands at almost exactly the same energy (61/100). Nearly the same tempo, too (95 BPM).

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Wuthering Heights — Kate Bush intense 102 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (62/100). Same layered texture.

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Terrible Love — The National moderate 80 BPM

Keeps the same emotional pull — lands at almost exactly the same energy (60/100). Measured 96% alike.

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Touch — Daft Punk moderate 91 BPM

Measures 99% the same. It lands at almost exactly the same energy (61/100). Same layered texture.

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These Days — Foo Fighters moderate 95 BPM

A 96% feel-match — carries the same emotional pull and lands at almost exactly the same energy (61/100). Nearly the same tempo, too (95 BPM).

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Sweet Heart Sweet Light — Spiritualized moderate 95 BPM

96% match across our 8 measured dimensions; it lands at almost exactly the same energy (61/100). Same layered texture.

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Manhattan Skyline — a-ha moderate 110 BPM

Keeps the same emotional pull — lands at almost exactly the same energy (59/100). Measured 95% alike.

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Boyish — Japanese Breakfast moderate 85 BPM

Measures 95% the same. It lands at almost exactly the same energy (57/100). Same layered texture.

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Pantomime Horse — Suede moderate 124 BPM

A 95% feel-match — carries the same emotional pull and lands at almost exactly the same energy (64/100).

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See You in My Nightmares — Kanye West intense 84 BPM

97% match across our 8 measured dimensions; it lands at almost exactly the same energy (61/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Crying is more than you want right now.

If I Were a Boy by Beyoncé
If I Were a Boy — Beyoncé safe 92 BPM

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 28/100, down from 62. Nearly the same tempo, too.

Champagne Problems by Taylor Swift
Champagne Problems — Taylor Swift safe 68 BPM

Its dynamic range stays a gentler 5 where the original climbs to 8, so it lands at 27/100 — the pull without the edge.

The Prophecy by Taylor Swift
The Prophecy — Taylor Swift safe 96 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 4 where the original climbs to 8. Reads 17/100. Nearly the same tempo, too.

Killer by Phoebe Bridgers
Killer — Phoebe Bridgers safe 85 BPM

Holds the same feel while its dynamic range stays a gentler 4 where the original climbs to 8. 16/100, versus the original's 62.

From the Dining Table by Harry Styles
From the Dining Table — Harry Styles safe 95 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 3 where the original climbs to 8. Intensity 13/100, down from 62. Nearly the same tempo, too.

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Oblivions — The National safe 110 BPM

Its dynamic range stays a gentler 5 where the original climbs to 8, so it lands at 22/100 — the pull without the edge.

Give Me Love by Ed Sheeran
Give Me Love — Ed Sheeran safe 88 BPM

If it's the same feel you're after, this delivers it while it stays in our safe band start to finish. Reads 42/100. Nearly the same tempo, too.

All of Me by Frank Sinatra
All of Me — Frank Sinatra safe 90 BPM

Holds the same feel while it stays in our safe band start to finish. 42/100, versus the original's 62. Nearly the same tempo, too.

Frequently asked

What songs sound like “Crying” by Roy Orbison?

The closest feel-matches we measure are “Ain't Too Proud to Beg” by The Temptations, “Wuthering Heights” by Kate Bush, “Terrible Love” by The National — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Crying” but calmer?

“If I Were a Boy” by Beyoncé, “Champagne Problems” by Taylor Swift, “The Prophecy” by Taylor Swift keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Crying”?

It measures 62/100 on our intensity scale, computed from a dynamic range of 8/10, layered texture, moderate sudden shifts, and dynamic vocals. Tempo is 98 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

This is one of the more intense things in our library — more energetic than 83% of the 19,209 songs we've measured. Its intensity reading of 62/100 comes from a dynamic range of 8/10, layered texture, moderate shifts, and dynamic vocals. Relatively few songs occupy this exact corner of the spectrum.

What makes it unusual

What stands out most about this song is blazing intensity: more extreme on that axis than 83% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep0/10
Focus3/10
Workout4/10
Dinner6/10
Party / hype5/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1962 in context

The 107 songs we’ve measured from 1962 average a dynamic range of 5.9/10. At 8/10, this track is louder and more dynamic than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity62
Dynamics78
Tempo32
Surprise50
Density33
Predictability50
Vocal force75
Trigger load0

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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