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10 songs that feel like Crisis

Matched to Crisis by Art Blakey on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

The song you love
Crisis
Art Blakey
moderate 50/100 intensity 120 BPM
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Symphony No. 6 in F major, Op. 68 "Pastoral" — Ludwig van Beethoven moderate 126 BPM

A 99% feel-match — carries the same intense pull and lands at almost exactly the same energy (50/100). Nearly the same tempo, too (126 BPM).

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La Muerte del Angel — Astor Piazzolla moderate 120 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (50/100). Same layered texture.

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Tango Apasionado — Astor Piazzolla moderate 120 BPM

Keeps the same intense pull — lands at almost exactly the same energy (50/100). Measured 99% alike. Nearly the same tempo, too (120 BPM).

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Crisis — Freddie Hubbard moderate 120 BPM

Measures 99% the same. It lands at almost exactly the same energy (50/100). Same layered texture.

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All the Things You Could Be by Now — Charles Mingus moderate 120 BPM

A 99% feel-match — carries the same energetic pull and lands at almost exactly the same energy (50/100). Nearly the same tempo, too (120 BPM).

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Return to Forever — Chick Corea moderate 120 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (50/100). Same layered texture.

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Keeps the same energetic pull — lands at almost exactly the same energy (50/100). Measured 99% alike. Nearly the same tempo, too (120 BPM).

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Mirror Mirror — Chick Corea moderate 120 BPM

Measures 99% the same. It lands at almost exactly the same energy (50/100). Same layered texture.

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Steps — Chick Corea moderate 120 BPM

A 99% feel-match — carries the same energetic pull and lands at almost exactly the same energy (50/100). Nearly the same tempo, too (120 BPM).

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Inception — McCoy Tyner moderate 120 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (50/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Crisis is more than you want right now.

Concerto for 4 Violins in B Minor, Op. 3 No. 10, RV 580 by Antonio Vivaldi

Keeps the same feel of the original, but it stays in our safe band start to finish. Intensity 39/100, down from 50. Nearly the same tempo, too.

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Concerto in E-flat "Dumbarton Oaks" — Igor Stravinsky safe 120 BPM

Its dynamic range stays a gentler 5 where the original climbs to 7, so it lands at 35/100 — the pull without the edge. Nearly the same tempo, too.

It's Too Late by Carole King
It's Too Late — Carole King safe 126 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 5 where the original climbs to 7. Reads 24/100. Nearly the same tempo, too.

I Wanna Dance with Somebody by Whitney Houston
I Wanna Dance with Somebody — Whitney Houston safe 119 BPM

Holds the same feel while nothing in it lurches or startles. 40/100, versus the original's 50. Nearly the same tempo, too.

The Less I Know the Better by Tame Impala
The Less I Know the Better — Tame Impala safe 116 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 5 where the original climbs to 7. Intensity 29/100, down from 50. Nearly the same tempo, too.

The Times They Are a-Changin' by Bob Dylan
The Times They Are a-Changin' — Bob Dylan safe 120 BPM

Nothing in it lurches or startles, so it lands at 27/100 — the pull without the edge. Nearly the same tempo, too.

Changes by David Bowie
Changes — David Bowie safe 124 BPM

If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 27/100. Nearly the same tempo, too.

Let's Dance by David Bowie
Let's Dance — David Bowie safe 115 BPM

Holds the same feel while nothing in it lurches or startles. 38/100, versus the original's 50. Nearly the same tempo, too.

Frequently asked

What songs sound like “Crisis” by Art Blakey?

The closest feel-matches we measure are “Symphony No. 6 in F major, Op. 68 "Pastoral"” by Ludwig van Beethoven, “La Muerte del Angel” by Astor Piazzolla, “Tango Apasionado” by Astor Piazzolla — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Crisis” but calmer?

“Concerto for 4 Violins in B Minor, Op. 3 No. 10, RV 580” by Antonio Vivaldi, “Concerto in E-flat "Dumbarton Oaks"” by Igor Stravinsky, “It's Too Late” by Carole King keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Crisis”?

It measures 50/100 on our intensity scale, computed from a dynamic range of 7/10, layered texture, moderate sudden shifts, and instrumental. Tempo is 120 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 62% of songs, calmer than the other 38%. Its intensity reading of 50/100 comes from a dynamic range of 7/10, layered texture, moderate shifts, and instrumental. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is blazing intensity: more extreme on that axis than 62% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep2/10
Focus6/10
Workout6/10
Dinner7/10
Party / hype6/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1960 in context

The 91 songs we’ve measured from 1960 average a dynamic range of 6.1/10. At 7/10, this track is louder and more dynamic than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity50
Dynamics67
Tempo44
Surprise50
Density33
Predictability50
Vocal force0
Trigger load13

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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