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10 songs that feel like Cortez the Killer

Matched to Cortez the Killer by Neil Young on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

The song you love
Cortez the Killer
Neil Young
moderate 39/100 intensity 136 BPM
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Supercut — Lorde moderate 124 BPM

A 95% feel-match — carries the same contemplative pull and lands at almost exactly the same energy (38/100).

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Sound and Vision — David Bowie moderate 120 BPM

95% match across our 8 measured dimensions; it lands at almost exactly the same energy (38/100). Same layered texture.

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Isi — Neu! moderate 138 BPM

Keeps the same contemplative pull — lands at almost exactly the same energy (40/100). Measured 99% alike. Nearly the same tempo, too (138 BPM).

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The Sound of Settling — Death Cab for Cutie moderate 128 BPM

Measures 98% the same. It lands at almost exactly the same energy (39/100). Same layered texture.

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Enola Gay — Orchestral Manoeuvres in the Dark moderate 120 BPM

A 95% feel-match — carries the same contemplative pull and lands at almost exactly the same energy (38/100).

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No Sunlight — Death Cab for Cutie moderate 135 BPM

96% match across our 8 measured dimensions; it lands at almost exactly the same energy (39/100). Same layered texture.

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Independence Day — Elliott Smith moderate 110 BPM

Keeps the same melancholy pull — lands at almost exactly the same energy (37/100). Measured 95% alike.

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When Will You Come Home — Galaxie 500 moderate 110 BPM

Measures 95% the same. It lands at almost exactly the same energy (37/100). Same layered texture.

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Texarkana — R.E.M. moderate 122 BPM

A 95% feel-match — carries the same melancholy pull and lands at almost exactly the same energy (38/100).

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I Wanna Be Adored — The Stone Roses moderate 125 BPM

94% match across our 8 measured dimensions; it lands at almost exactly the same energy (35/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Cortez the Killer is more than you want right now.

It's Too Late by Carole King
It's Too Late — Carole King safe 126 BPM

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 24/100, down from 39. Nearly the same tempo, too.

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Visions of Johanna — Bob Dylan safe 145 BPM

Its dynamic range stays a gentler 4 where the original climbs to 6, so it lands at 22/100 — the pull without the edge. Nearly the same tempo, too.

Thumbing My Way by Pearl Jam
Thumbing My Way — Pearl Jam safe 80 BPM

If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 23/100.

Seigfried by Frank Ocean
Seigfried — Frank Ocean safe 120 BPM

Holds the same feel while its dynamic range stays a gentler 4 where the original climbs to 6. 33/100, versus the original's 39.

People's Parties by Joni Mitchell
People's Parties — Joni Mitchell safe 110 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 4 where the original climbs to 6. Intensity 24/100, down from 39.

Man on the Moon by R.E.M.
Man on the Moon — R.E.M. safe 115 BPM

Its dynamic range stays a gentler 4 where the original climbs to 6, so it lands at 19/100 — the pull without the edge.

New Test Leper by R.E.M.
New Test Leper — R.E.M. safe 110 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 4 where the original climbs to 6. Reads 19/100.

Blowin' in the Wind by Bob Dylan
Blowin' in the Wind — Bob Dylan safe 80 BPM

Holds the same feel while its dynamic range stays a gentler 3 where the original climbs to 6. 12/100, versus the original's 39.

Frequently asked

What songs sound like “Cortez the Killer” by Neil Young?

The closest feel-matches we measure are “Supercut” by Lorde, “Sound and Vision” by David Bowie, “Isi” by Neu! — the top match scores 95% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Cortez the Killer” but calmer?

“It's Too Late” by Carole King, “Visions of Johanna” by Bob Dylan, “Thumbing My Way” by Pearl Jam keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Cortez the Killer”?

It measures 39/100 on our intensity scale, computed from a dynamic range of 6/10, layered texture, mild sudden shifts, and soft vocals. Tempo is 136 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 32% of songs, calmer than the other 68%. Its intensity reading of 39/100 comes from a dynamic range of 6/10, layered texture, mild shifts, and soft vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is a fast, driving tempo: more extreme on that axis than 90% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep6/10
Focus10/10
Workout5/10
Dinner8/10
Party / hype5/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1975 in context

The 249 songs we’ve measured from 1975 average a dynamic range of 6.2/10. At 6/10, this track is right in line with its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity39
Dynamics56
Tempo53
Surprise25
Density33
Predictability0
Vocal force25
Trigger load13

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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