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10 songs that feel like Cornfield Chase

Matched to Cornfield Chase by Hans Zimmer on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

Cornfield Chase
The song you love
Cornfield Chase
Hans Zimmer
moderate 40/100 intensity 126 BPM
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Serenade for Strings in C Major — Pyotr Ilyich Tchaikovsky safe 90 BPM

A 93% feel-match — carries the same transcendent pull and lands at almost exactly the same energy (37/100).

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Road to Nowhere — Talking Heads moderate 110 BPM

89% match across our 8 measured dimensions; it lands at almost exactly the same energy (37/100). Same layered texture.

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Mallet Quartet — Steve Reich moderate 144 BPM

Keeps the same transcendent pull — sits a little calmer at 34/100. Measured 91% alike.

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Pruitt-Igoe — Philip Glass moderate 100 BPM

Measures 95% the same. It lands at almost exactly the same energy (38/100). Same layered texture.

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Superman Theme — John Williams safe 120 BPM

A 94% feel-match — carries the same transcendent pull and lands at almost exactly the same energy (44/100). Nearly the same tempo, too (120 BPM).

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Negativland — NEU! moderate 138 BPM

95% match across our 8 measured dimensions; it lands at almost exactly the same energy (38/100). Same layered texture.

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Chameleon — Herbie Hancock moderate 108 BPM

Keeps the same contemplative pull — lands at almost exactly the same energy (39/100). Measured 94% alike.

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You Are My Sister — Antony and the Johnsons moderate 72 BPM

Measures 85% the same. It sits a little calmer at 34/100. Same layered texture.

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Pagan Poetry — Björk moderate 92 BPM

A 84% feel-match — carries the same transcendent pull and sits a little calmer at 30/100.

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Triple Concerto — Beethoven safe 108 BPM

93% match across our 8 measured dimensions; it lands at almost exactly the same energy (35/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Cornfield Chase is more than you want right now.

Heaven by Depeche Mode
Heaven — Depeche Mode safe 100 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 4 where the original climbs to 7. Intensity 18/100, down from 40.

Into the West by Annie Lennox
Into the West — Annie Lennox safe 60 BPM

Its dynamic range stays a gentler 4 where the original climbs to 7, so it lands at 14/100 — the pull without the edge.

It's Too Late by Carole King
It's Too Late — Carole King safe 126 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 5 where the original climbs to 7. Reads 24/100. Nearly the same tempo, too.

Every Breath You Take by The Police
Every Breath You Take — The Police safe 117 BPM

Holds the same feel while nothing in it lurches or startles. 27/100, versus the original's 40. Nearly the same tempo, too.

Circles by Post Malone
Circles — Post Malone safe 120 BPM

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 27/100, down from 40. Nearly the same tempo, too.

The Long and Winding Road by The Beatles
The Long and Winding Road — The Beatles safe 73 BPM

Nothing in it lurches or startles, so it lands at 32/100 — the pull without the edge.

Everything That Rises by Sufjan Stevens
Everything That Rises — Sufjan Stevens safe 85 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 4 where the original climbs to 7. Reads 16/100.

The Big Ship by Brian Eno
The Big Ship — Brian Eno safe 60 BPM

Holds the same feel while its dynamic range stays a gentler 3 where the original climbs to 7. 8/100, versus the original's 40.

Frequently asked

What songs sound like “Cornfield Chase” by Hans Zimmer?

The closest feel-matches we measure are “Serenade for Strings in C Major” by Pyotr Ilyich Tchaikovsky, “Road to Nowhere” by Talking Heads, “Mallet Quartet” by Steve Reich — the top match scores 93% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Cornfield Chase” but calmer?

“Heaven” by Depeche Mode, “Into the West” by Annie Lennox, “It's Too Late” by Carole King keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Cornfield Chase”?

It measures 40/100 on our intensity scale, computed from a dynamic range of 7/10, layered texture, mild sudden shifts, and instrumental. Tempo is 126 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 34% of songs, calmer than the other 66%. Its intensity reading of 40/100 comes from a dynamic range of 7/10, layered texture, mild shifts, and instrumental. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is a fast, driving tempo: more extreme on that axis than 83% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

Dial the feeling up or down

Same feeling, bigger: The Grid — Philip Glass

What it’s good for

Sleep5/10
Focus10/10
Workout5/10
Dinner8/10
Party / hype5/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

2014 in context

The 313 songs we’ve measured from 2014 average a dynamic range of 6.4/10. At 7/10, this track is louder and more dynamic than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity40
Dynamics67
Tempo48
Surprise25
Density33
Predictability0
Vocal force0
Trigger load13

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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