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10 songs that feel like Concerto in E-flat "Dumbarton Oaks"

Matched to Concerto in E-flat "Dumbarton Oaks" by Igor Stravinsky on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

The song you love
Concerto in E-flat "Dumbarton Oaks"
Igor Stravinsky
safe 35/100 intensity 120 BPM
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Arabesque No. 2 — Claude Debussy safe 120 BPM

A 99% feel-match — carries the same playful pull and lands at almost exactly the same energy (35/100). Nearly the same tempo, too (120 BPM).

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Passepied — Claude Debussy safe 120 BPM

96% match across our 8 measured dimensions; it lands at almost exactly the same energy (31/100). Same layered texture.

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Burnin' — Daft Punk moderate 128 BPM

Keeps the same playful pull — lands at almost exactly the same energy (36/100). Measured 95% alike. Nearly the same tempo, too (128 BPM).

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Root Beer Rag — Billy Joel safe 120 BPM

Measures 99% the same. It lands at almost exactly the same energy (35/100). Same layered texture.

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Grazing in the Grass — Hugh Masekela safe 120 BPM

A 99% feel-match — carries the same energetic pull and lands at almost exactly the same energy (35/100). Nearly the same tempo, too (120 BPM).

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Hi Fly — Stan Getz safe 120 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (35/100). Same layered texture.

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Stella by Starlight — Stan Getz safe 120 BPM

Keeps the same reflective pull — lands at almost exactly the same energy (35/100). Measured 99% alike. Nearly the same tempo, too (120 BPM).

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Have You Met Miss Jones — Joe Pass safe 120 BPM

Measures 99% the same. It lands at almost exactly the same energy (35/100). Same layered texture.

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Breakout — Black Sabbath moderate 140 BPM

A 94% feel-match — carries the same playful pull and runs a little hotter at 41/100.

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Yellow Jacket — The Ventures moderate 120 BPM

94% match across our 8 measured dimensions; it lands at almost exactly the same energy (39/100). Same layered texture.

Frequently asked

What songs sound like “Concerto in E-flat "Dumbarton Oaks"” by Igor Stravinsky?

The closest feel-matches we measure are “Arabesque No. 2” by Claude Debussy, “Passepied” by Claude Debussy, “Burnin'” by Daft Punk — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

How intense is “Concerto in E-flat "Dumbarton Oaks"”?

It measures 35/100 on our intensity scale, computed from a dynamic range of 5/10, layered texture, mild sudden shifts, and instrumental. Tempo is 120 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 23% of songs, calmer than the other 77%. Its intensity reading of 35/100 comes from a dynamic range of 5/10, layered texture, mild shifts, and instrumental. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is an unusually steady, even volume: more extreme on that axis than 88% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep7/10
Focus10/10
Workout5/10
Dinner8/10
Party / hype4/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1938 in context

The 5 songs we’ve measured from 1938 average a dynamic range of 6.2/10. At 5/10, this track is gentler and steadier than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity35
Dynamics44
Tempo44
Surprise25
Density33
Predictability50
Vocal force0
Trigger load0

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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