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10 songs that feel like Come On My Selector

Matched to Come On My Selector by Squarepusher on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

Come On My Selector
The song you love
Come On My Selector
Squarepusher
intense 87/100 intensity 170 BPM
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Temper Temper — Goldie intense 170 BPM

A 99% feel-match — carries the same intense pull and lands at almost exactly the same energy (87/100). Nearly the same tempo, too (170 BPM).

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Half Sound Full Fury — At The Drive In intense 180 BPM

98% match across our 8 measured dimensions; it lands at almost exactly the same energy (88/100). Same complex texture.

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Lopsided — At The Drive In intense 180 BPM

Keeps the same intense pull — lands at almost exactly the same energy (88/100). Measured 98% alike.

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Got the Time — Anthrax intense 180 BPM

Measures 98% the same. It lands at almost exactly the same energy (88/100). Same complex texture.

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Enfilade — At The Drive In intense 170 BPM

A 96% feel-match — carries the same intense pull and lands at almost exactly the same energy (87/100). Nearly the same tempo, too (170 BPM).

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Rock for Light — Bad Brains intense 160 BPM

95% match across our 8 measured dimensions; it lands at almost exactly the same energy (90/100). Same complex texture.

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Aggressive Expansion — Lamb of God intense 180 BPM

Keeps the same intense pull — lands at almost exactly the same energy (88/100). Measured 98% alike.

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Lacquer Head — Primus intense 160 BPM

Measures 95% the same. It lands at almost exactly the same energy (82/100). Same complex texture.

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Pattern Against User — At The Drive In intense 180 BPM

A 95% feel-match — carries the same intense pull and lands at almost exactly the same energy (88/100).

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Napoleon Solo — At The Drive In intense 160 BPM

95% match across our 8 measured dimensions; it lands at almost exactly the same energy (86/100). Same complex texture.

…and if you want it calmer

Same feeling, measured gentler — for when Come On My Selector is more than you want right now.

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Bliss — Muse moderate 140 BPM

Keeps the same feel of the original, but it measures markedly calmer overall. Intensity 55/100, down from 87.

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Rumble — Link Wray moderate 140 BPM

It measures markedly calmer overall, so it lands at 45/100 — the pull without the edge.

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We Don't Talk About Bruno — Lin-Manuel Miranda moderate 120 BPM

If it's the same feel you're after, this delivers it while it measures markedly calmer overall. Reads 60/100.

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Extreme Ways — Moby moderate 120 BPM

Holds the same feel while it measures markedly calmer overall. 53/100, versus the original's 87.

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Vertigo — The Libertines moderate 120 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 6 where the original climbs to 8. Intensity 49/100, down from 87.

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Crisis — Art Blakey moderate 120 BPM

It measures markedly calmer overall, so it lands at 50/100 — the pull without the edge.

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Breathless — X moderate 130 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 6 where the original climbs to 8. Reads 50/100.

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Prisoner — Dua Lipa moderate 123 BPM

Holds the same feel while its dynamic range stays a gentler 6 where the original climbs to 8. 49/100, versus the original's 87.

Frequently asked

What songs sound like “Come On My Selector” by Squarepusher?

The closest feel-matches we measure are “Temper Temper” by Goldie, “Half Sound Full Fury” by At The Drive In, “Lopsided” by At The Drive In — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Come On My Selector” but calmer?

“Bliss” by Muse, “Rumble” by Link Wray, “We Don't Talk About Bruno” by Lin-Manuel Miranda keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Come On My Selector”?

It measures 87/100 on our intensity scale, computed from a dynamic range of 8/10, complex texture, frequent sudden shifts, and dynamic vocals. Tempo is 170 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

This is one of the more intense things in our library — more energetic than 98% of the 19,209 songs we've measured. Its intensity reading of 87/100 comes from a dynamic range of 8/10, complex texture, frequent shifts, and dynamic vocals. Relatively few songs occupy this exact corner of the spectrum.

What makes it unusual

What stands out most about this song is blazing intensity: more extreme on that axis than 98% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep0/10
Focus0/10
Workout6/10
Dinner3/10
Party / hype9/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1997 in context

The 389 songs we’ve measured from 1997 average a dynamic range of 6.6/10. At 8/10, this track is louder and more dynamic than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity87
Dynamics78
Tempo72
Surprise75
Density60
Predictability100
Vocal force75
Trigger load38

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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