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10 songs that feel like Carol

Matched to Carol by Slint on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

Carol
The song you love
Carol
Slint
moderate 49/100 intensity 90 BPM
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Thank You for Your Love — Antony and the Johnsons moderate 85 BPM

A 99% feel-match — carries the same melancholy pull and lands at almost exactly the same energy (49/100). Nearly the same tempo, too (85 BPM).

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Poles Apart — Pink Floyd moderate 85 BPM

95% match across our 8 measured dimensions; it lands at almost exactly the same energy (49/100). Same layered texture.

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Siberian Breaks — MGMT moderate 90 BPM

Keeps the same reflective pull — lands at almost exactly the same energy (49/100). Measured 96% alike. Nearly the same tempo, too (90 BPM).

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Oh! Sweet Nuthin' — The Velvet Underground moderate 85 BPM

Measures 95% the same. It lands at almost exactly the same energy (49/100). Same layered texture.

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Come On! Feel the Illinoise — Sufjan Stevens moderate 100 BPM

A 95% feel-match — carries the same reflective pull and lands at almost exactly the same energy (50/100).

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Stones of Years — Emerson Lake and Palmer moderate 75 BPM

95% match across our 8 measured dimensions; it lands at almost exactly the same energy (48/100). Same layered texture.

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The Sky Moves Sideways — Porcupine Tree moderate 75 BPM

Keeps the same feel — lands at almost exactly the same energy (48/100). Measured 97% alike.

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Needle in the Hay — Elliott Smith intense 85 BPM

Measures 94% the same. It runs a little hotter at 60/100. Same layered texture.

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Disarray — Low moderate 120 BPM

A 94% feel-match — carries the same melancholy pull and lands at almost exactly the same energy (52/100).

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Kiss Them for Me — Siouxsie and the Banshees moderate 115 BPM

93% match across our 8 measured dimensions; it lands at almost exactly the same energy (51/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Carol is more than you want right now.

Both Sides, Now by Joni Mitchell
Both Sides, Now — Joni Mitchell safe 82 BPM

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 27/100, down from 49. Nearly the same tempo, too.

Sittin' On The Dock of the Bay by Otis Redding
Sittin' On The Dock of the Bay — Otis Redding safe 88 BPM

Its dynamic range stays a gentler 5 where the original climbs to 7, so it lands at 20/100 — the pull without the edge. Nearly the same tempo, too.

Blowin' in the Wind by Bob Dylan
Blowin' in the Wind — Bob Dylan safe 80 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 3 where the original climbs to 7. Reads 12/100. Nearly the same tempo, too.

If I Were a Boy by Beyoncé
If I Were a Boy — Beyoncé safe 92 BPM

Holds the same feel while nothing in it lurches or startles. 28/100, versus the original's 49. Nearly the same tempo, too.

Merry Go 'Round by Kacey Musgraves
Merry Go 'Round — Kacey Musgraves safe 85 BPM

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 27/100, down from 49. Nearly the same tempo, too.

Brenda's Got a Baby by 2Pac
Brenda's Got a Baby — 2Pac safe 92 BPM

Nothing in it lurches or startles, so it lands at 28/100 — the pull without the edge. Nearly the same tempo, too.

Sky's the Limit by The Notorious B.I.G.
Sky's the Limit — The Notorious B.I.G. safe 88 BPM

If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 36/100. Nearly the same tempo, too.

Please, Please, Please Let Me Get What I Want by The Smiths

Holds the same feel while nothing in it lurches or startles. 23/100, versus the original's 49.

Frequently asked

What songs sound like “Carol” by Slint?

The closest feel-matches we measure are “Thank You for Your Love” by Antony and the Johnsons, “Poles Apart” by Pink Floyd, “Siberian Breaks” by MGMT — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Carol” but calmer?

“Both Sides, Now” by Joni Mitchell, “Sittin' On The Dock of the Bay” by Otis Redding, “Blowin' in the Wind” by Bob Dylan keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Carol”?

It measures 49/100 on our intensity scale, computed from a dynamic range of 7/10, layered texture, moderate sudden shifts, and soft vocals. Tempo is 90 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 55% of songs, calmer than the other 45%. Its intensity reading of 49/100 comes from a dynamic range of 7/10, layered texture, moderate shifts, and soft vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is a slow, unhurried pace: more extreme on that axis than 71% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep2/10
Focus6/10
Workout3/10
Dinner7/10
Party / hype3/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1991 in context

The 266 songs we’ve measured from 1991 average a dynamic range of 6.8/10. At 7/10, this track is right in line with its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity49
Dynamics67
Tempo28
Surprise50
Density33
Predictability50
Vocal force25
Trigger load38

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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