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10 songs that feel like By the Time I Get to Phoenix

Matched to By the Time I Get to Phoenix by Isaac Hayes on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

By the Time I Get to Phoenix
The song you love
By the Time I Get to Phoenix
Isaac Hayes
moderate 42/100 intensity 68 BPM
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Concrete Jungle — Bob Marley and the Wailers moderate 76 BPM

A 98% feel-match — carries the same emotional pull and lands at almost exactly the same energy (42/100). Nearly the same tempo, too (76 BPM).

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Always You — Depeche Mode moderate 80 BPM

98% match across our 8 measured dimensions; it lands at almost exactly the same energy (43/100). Same layered texture.

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World Without Tears — Lucinda Williams moderate 85 BPM

Keeps the same emotional pull — lands at almost exactly the same energy (43/100). Measured 97% alike.

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Foreigner's God — Hozier moderate 72 BPM

Measures 96% the same. It lands at almost exactly the same energy (42/100). Same layered texture.

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Just Like a Woman — Bob Dylan moderate 92 BPM

A 95% feel-match — carries the same emotional pull and lands at almost exactly the same energy (44/100).

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Ms. Jackson — Outkast moderate 92 BPM

95% match across our 8 measured dimensions; it lands at almost exactly the same energy (44/100). Same layered texture.

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Just One More — George Jones moderate 80 BPM

Keeps the same emotional pull — lands at almost exactly the same energy (46/100). Measured 95% alike.

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Coming Down — The Weeknd moderate 80 BPM

Measures 95% the same. It lands at almost exactly the same energy (43/100). Same layered texture.

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Hold On — Adele moderate 72 BPM

A 94% feel-match — carries the same emotional pull and lands at almost exactly the same energy (46/100). Nearly the same tempo, too (72 BPM).

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400 Years — Bob Marley moderate 76 BPM

98% match across our 8 measured dimensions; it lands at almost exactly the same energy (42/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when By the Time I Get to Phoenix is more than you want right now.

Please, Please, Please by James Brown
Please, Please, Please — James Brown safe 80 BPM

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 32/100, down from 42.

All in Love Is Fair by Stevie Wonder
All in Love Is Fair — Stevie Wonder safe 68 BPM

Nothing in it lurches or startles, so it lands at 23/100 — the pull without the edge. Nearly the same tempo, too.

Champagne Problems by Taylor Swift
Champagne Problems — Taylor Swift safe 68 BPM

If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 27/100. Nearly the same tempo, too.

Broken-Hearted Girl by Beyoncé
Broken-Hearted Girl — Beyoncé safe 70 BPM

Holds the same feel while its dynamic range stays a gentler 4 where the original climbs to 6. 15/100, versus the original's 42. Nearly the same tempo, too.

That's the Way by Led Zeppelin
That's the Way — Led Zeppelin safe 72 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 4 where the original climbs to 6. Intensity 21/100, down from 42. Nearly the same tempo, too.

Fingertips by Lana Del Rey
Fingertips — Lana Del Rey safe 70 BPM

Its dynamic range stays a gentler 3 where the original climbs to 6, so it lands at 18/100 — the pull without the edge. Nearly the same tempo, too.

Moon Song by Phoebe Bridgers
Moon Song — Phoebe Bridgers safe 70 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 3 where the original climbs to 6. Reads 11/100. Nearly the same tempo, too.

Blue by Joni Mitchell
Blue — Joni Mitchell safe 65 BPM

Holds the same feel while its dynamic range stays a gentler 3 where the original climbs to 6. 11/100, versus the original's 42. Nearly the same tempo, too.

Frequently asked

What songs sound like “By the Time I Get to Phoenix” by Isaac Hayes?

The closest feel-matches we measure are “Concrete Jungle” by Bob Marley and the Wailers, “Always You” by Depeche Mode, “World Without Tears” by Lucinda Williams — the top match scores 98% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “By the Time I Get to Phoenix” but calmer?

“Please, Please, Please” by James Brown, “All in Love Is Fair” by Stevie Wonder, “Champagne Problems” by Taylor Swift keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “By the Time I Get to Phoenix”?

It measures 42/100 on our intensity scale, computed from a dynamic range of 6/10, layered texture, mild sudden shifts, and dynamic vocals. Tempo is 68 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 38% of songs, calmer than the other 62%. Its intensity reading of 42/100 comes from a dynamic range of 6/10, layered texture, mild shifts, and dynamic vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is a slow, unhurried pace: more extreme on that axis than 96% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep4/10
Focus8/10
Workout3/10
Dinner8/10
Party / hype3/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1969 in context

The 222 songs we’ve measured from 1969 average a dynamic range of 6.3/10. At 6/10, this track is right in line with its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity42
Dynamics56
Tempo16
Surprise25
Density33
Predictability0
Vocal force75
Trigger load25

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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