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10 songs that feel like Brick Is Red

Matched to Brick Is Red by Pixies on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

Brick Is Red
The song you love
Brick Is Red
Pixies
moderate 51/100 intensity 140 BPM
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Tiny Cities Made of Ashes — Modest Mouse moderate 138 BPM

A 99% feel-match — carries the same rebellious pull and lands at almost exactly the same energy (51/100). Nearly the same tempo, too (138 BPM).

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Needles in the Camel's Eye — Brian Eno moderate 135 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (50/100). Same layered texture.

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It's Alright, Ma (I'm Only Bleeding) — Bob Dylan moderate 135 BPM

Keeps the same rebellious pull — lands at almost exactly the same energy (50/100). Measured 99% alike. Nearly the same tempo, too (135 BPM).

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Narc — Interpol moderate 135 BPM

Measures 99% the same. It lands at almost exactly the same energy (50/100). Same layered texture.

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French Film Blurred — Wire moderate 135 BPM

A 99% feel-match — carries the same rebellious pull and lands at almost exactly the same energy (50/100). Nearly the same tempo, too (135 BPM).

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Happy House — Siouxsie and the Banshees moderate 131 BPM

98% match across our 8 measured dimensions; it lands at almost exactly the same energy (50/100). Same layered texture.

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Fear of Heights — Drake moderate 152 BPM

Keeps the same rebellious pull — lands at almost exactly the same energy (52/100). Measured 98% alike.

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Why'd You Only Call Me When You're High? — Arctic Monkeys moderate 128 BPM

Measures 98% the same. It lands at almost exactly the same energy (50/100). Same layered texture.

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Blank Frank — Brian Eno moderate 128 BPM

A 98% feel-match — carries the same rebellious pull and lands at almost exactly the same energy (50/100).

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Who Killed Mr. Moonlight — Bauhaus moderate 128 BPM

98% match across our 8 measured dimensions; it lands at almost exactly the same energy (50/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Brick Is Red is more than you want right now.

De Do Do Do, De Da Da Da by The Police
De Do Do Do, De Da Da Da — The Police safe 120 BPM

Keeps the same feel of the original, but it stays in our safe band start to finish. Intensity 41/100, down from 51.

It's Too Late by Carole King
It's Too Late — Carole King safe 126 BPM

Nothing in it lurches or startles, so it lands at 24/100 — the pull without the edge.

Epiphany by BTS
Epiphany — BTS safe 136 BPM

If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 25/100. Nearly the same tempo, too.

Friday I'm In Love by The Cure
Friday I'm In Love — The Cure safe 135 BPM

Holds the same feel while it stays in our safe band start to finish. 34/100, versus the original's 51. Nearly the same tempo, too.

Mint Car by The Cure
Mint Car — The Cure safe 126 BPM

Keeps the same feel of the original, but it stays in our safe band start to finish. Intensity 34/100, down from 51.

William, It Was Really Nothing by The Smiths
William, It Was Really Nothing — The Smiths safe 92 BPM

Nothing in it lurches or startles, so it lands at 25/100 — the pull without the edge.

Goodbye Weekend by Mac DeMarco
Goodbye Weekend — Mac DeMarco safe 85 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 4 where the original climbs to 6. Reads 16/100.

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The Best Ever Death Metal Band in Denton — The Mountain Goats safe 80 BPM

Holds the same feel while its dynamic range stays a gentler 3 where the original climbs to 6. 14/100, versus the original's 51.

Frequently asked

What songs sound like “Brick Is Red” by Pixies?

The closest feel-matches we measure are “Tiny Cities Made of Ashes” by Modest Mouse, “Needles in the Camel's Eye” by Brian Eno, “It's Alright, Ma (I'm Only Bleeding)” by Bob Dylan — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Brick Is Red” but calmer?

“De Do Do Do, De Da Da Da” by The Police, “It's Too Late” by Carole King, “Epiphany” by BTS keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Brick Is Red”?

It measures 51/100 on our intensity scale, computed from a dynamic range of 6/10, layered texture, mild sudden shifts, and dynamic vocals. Tempo is 140 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 66% of songs, calmer than the other 34%. Its intensity reading of 51/100 comes from a dynamic range of 6/10, layered texture, mild shifts, and dynamic vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is a fast, driving tempo: more extreme on that axis than 90% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep3/10
Focus7/10
Workout6/10
Dinner7/10
Party / hype6/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1988 in context

The 212 songs we’ve measured from 1988 average a dynamic range of 6.4/10. At 6/10, this track is right in line with its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity51
Dynamics56
Tempo56
Surprise25
Density33
Predictability50
Vocal force75
Trigger load13

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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