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10 songs that feel like Blame It on Your Love

Matched to Blame It on Your Love by Lizzo on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

The song you love
Blame It on Your Love
Lizzo
moderate 52/100 intensity 110 BPM
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I'm Coming Out — Diana Ross moderate 115 BPM

A 99% feel-match — carries the same confident pull and lands at almost exactly the same energy (52/100). Nearly the same tempo, too (115 BPM).

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Feel Special — Twice moderate 110 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (52/100). Same layered texture.

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Runway — Lady Gaga moderate 124 BPM

Keeps the same confident pull — lands at almost exactly the same energy (53/100). Measured 97% alike.

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STARS — Kanye West & Ty Dolla $ign moderate 126 BPM

Measures 97% the same. It lands at almost exactly the same energy (53/100). Same layered texture.

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Serpentine Fire — Earth, Wind & Fire moderate 126 BPM

A 97% feel-match — carries the same confident pull and lands at almost exactly the same energy (53/100).

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Bleed American — Jimmy Eat World intense 120 BPM

97% match across our 8 measured dimensions; it runs a little hotter at 60/100. Same layered texture.

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Things Can Only Get Better — Howard Jones moderate 120 BPM

Keeps the same confident pull — lands at almost exactly the same energy (49/100). Measured 95% alike.

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I'm Outta Here — Shania Twain moderate 120 BPM

Measures 95% the same. It lands at almost exactly the same energy (49/100). Same layered texture.

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Figure Eight — They Might Be Giants moderate 120 BPM

A 95% feel-match — carries the same confident pull and lands at almost exactly the same energy (49/100).

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Cuff It — Beyoncé moderate 115 BPM

95% match across our 8 measured dimensions; it lands at almost exactly the same energy (52/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Blame It on Your Love is more than you want right now.

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When Tomorrow Comes — Eurythmics safe 117 BPM

Keeps the same feel of the original, but it stays in our safe band start to finish. Intensity 45/100, down from 52. Nearly the same tempo, too.

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Roar — Kidz Bop Kids safe 128 BPM

It stays in our safe band start to finish, so it lands at 42/100 — the pull without the edge.

The Best Thing I Never Had by Beyoncé
The Best Thing I Never Had — Beyoncé safe 81 BPM

If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 27/100.

I Won't Back Down by Tom Petty
I Won't Back Down — Tom Petty safe 100 BPM

Holds the same feel while nothing in it lurches or startles. 25/100, versus the original's 52. Nearly the same tempo, too.

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Stand — R.E.M. safe 106 BPM

Keeps the same feel of the original, but it stays in our safe band start to finish. Intensity 40/100, down from 52. Nearly the same tempo, too.

Head Over Heels by ABBA
Head Over Heels — ABBA safe 118 BPM

It stays in our safe band start to finish, so it lands at 45/100 — the pull without the edge. Nearly the same tempo, too.

I've Got the World on a String by Louis Armstrong
I've Got the World on a String — Louis Armstrong safe 120 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 5 where the original climbs to 7. Reads 31/100. Nearly the same tempo, too.

I've Got the World on a String by Frank Sinatra
I've Got the World on a String — Frank Sinatra safe 120 BPM

Holds the same feel while it stays in our safe band start to finish. 33/100, versus the original's 52. Nearly the same tempo, too.

Frequently asked

What songs sound like “Blame It on Your Love” by Lizzo?

The closest feel-matches we measure are “I'm Coming Out” by Diana Ross, “Feel Special” by Twice, “Runway” by Lady Gaga — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Blame It on Your Love” but calmer?

“When Tomorrow Comes” by Eurythmics, “Roar” by Kidz Bop Kids, “The Best Thing I Never Had” by Beyoncé keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Blame It on Your Love”?

It measures 52/100 on our intensity scale, computed from a dynamic range of 7/10, layered texture, mild sudden shifts, and dynamic vocals. Tempo is 110 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 68% of songs, calmer than the other 32%. Its intensity reading of 52/100 comes from a dynamic range of 7/10, layered texture, mild shifts, and dynamic vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is blazing intensity: more extreme on that axis than 68% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep3/10
Focus7/10
Workout3/10
Dinner7/10
Party / hype6/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

2019 in context

The 448 songs we’ve measured from 2019 average a dynamic range of 6.1/10. At 7/10, this track is louder and more dynamic than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity52
Dynamics67
Tempo39
Surprise25
Density33
Predictability50
Vocal force75
Trigger load25

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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