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10 songs that feel like Bad Girls

Matched to Bad Girls by Donna Summer on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

The song you love
Bad Girls
Donna Summer
moderate 53/100 intensity 120 BPM
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Illusion — Dua Lipa moderate 120 BPM

A 99% feel-match — carries the same confident pull and lands at almost exactly the same energy (53/100). Nearly the same tempo, too (120 BPM).

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Uptight (Everything's Alright) — Stevie Wonder moderate 120 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (53/100). Same layered texture.

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Luck Be a Lady — Frank Sinatra moderate 120 BPM

Keeps the same confident pull — lands at almost exactly the same energy (53/100). Measured 99% alike. Nearly the same tempo, too (120 BPM).

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Trying to Be Cool — Phoenix moderate 118 BPM

Measures 99% the same. It lands at almost exactly the same energy (53/100). Same layered texture.

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S.O.S. In Bel Air — Phoenix moderate 118 BPM

A 99% feel-match — carries the same confident pull and lands at almost exactly the same energy (53/100). Nearly the same tempo, too (118 BPM).

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The Underdog — Spoon moderate 122 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (53/100). Same layered texture.

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Typical Male — Tina Turner moderate 122 BPM

Keeps the same confident pull — lands at almost exactly the same energy (53/100). Measured 99% alike. Nearly the same tempo, too (122 BPM).

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Cuff It — Beyoncé moderate 115 BPM

Measures 99% the same. It lands at almost exactly the same energy (52/100). Same layered texture.

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Virgo's Groove — Beyoncé moderate 115 BPM

A 99% feel-match — carries the same confident pull and lands at almost exactly the same energy (52/100). Nearly the same tempo, too (115 BPM).

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Speed Demon — Michael Jackson moderate 126 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (53/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Bad Girls is more than you want right now.

Head Over Heels by ABBA
Head Over Heels — ABBA safe 118 BPM

Keeps the same feel of the original, but it stays in our safe band start to finish. Intensity 45/100, down from 53. Nearly the same tempo, too.

Skateaway by Dire Straits
Skateaway — Dire Straits safe 110 BPM

It stays in our safe band start to finish, so it lands at 40/100 — the pull without the edge. Nearly the same tempo, too.

The Kids Don't Stand a Chance by Vampire Weekend
The Kids Don't Stand a Chance — Vampire Weekend safe 120 BPM

If it's the same feel you're after, this delivers it while it stays in our safe band start to finish. Reads 45/100. Nearly the same tempo, too.

Not Fade Away by Buddy Holly
Not Fade Away — Buddy Holly safe 135 BPM

Holds the same feel while its dynamic range stays a gentler 4 where the original climbs to 7. 29/100, versus the original's 53.

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Roar — Kidz Bop Kids safe 128 BPM

Keeps the same feel of the original, but it stays in our safe band start to finish. Intensity 42/100, down from 53. Nearly the same tempo, too.

22 by Taylor Swift
22 — Taylor Swift safe 120 BPM

Its dynamic range stays a gentler 5 where the original climbs to 7, so it lands at 39/100 — the pull without the edge. Nearly the same tempo, too.

Monday Morning by Fleetwood Mac
Monday Morning — Fleetwood Mac safe 120 BPM

If it's the same feel you're after, this delivers it while it stays in our safe band start to finish. Reads 41/100. Nearly the same tempo, too.

Friday I'm In Love by The Cure
Friday I'm In Love — The Cure safe 135 BPM

Holds the same feel while it stays in our safe band start to finish. 34/100, versus the original's 53.

Frequently asked

What songs sound like “Bad Girls” by Donna Summer?

The closest feel-matches we measure are “Illusion” by Dua Lipa, “Uptight (Everything's Alright)” by Stevie Wonder, “Luck Be a Lady” by Frank Sinatra — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Bad Girls” but calmer?

“Head Over Heels” by ABBA, “Skateaway” by Dire Straits, “The Kids Don't Stand a Chance” by Vampire Weekend keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Bad Girls”?

It measures 53/100 on our intensity scale, computed from a dynamic range of 7/10, layered texture, mild sudden shifts, and dynamic vocals. Tempo is 120 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 69% of songs, calmer than the other 31%. Its intensity reading of 53/100 comes from a dynamic range of 7/10, layered texture, mild shifts, and dynamic vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is blazing intensity: more extreme on that axis than 69% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep3/10
Focus7/10
Workout6/10
Dinner7/10
Party / hype6/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1979 in context

The 245 songs we’ve measured from 1979 average a dynamic range of 6.4/10. At 7/10, this track is louder and more dynamic than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity53
Dynamics67
Tempo44
Surprise25
Density33
Predictability50
Vocal force75
Trigger load13

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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