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10 songs that feel like Awful

Matched to Awful by Hole on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

The song you love
Awful
Hole
intense 60/100 intensity 120 BPM
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A 98% feel-match — carries the same intense pull and lands at almost exactly the same energy (60/100). Nearly the same tempo, too (112 BPM).

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Sex Dwarf — Soft Cell intense 120 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (60/100). Same layered texture.

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Gates of Tomorrow — Iron Maiden moderate 120 BPM

Keeps the same intense pull — sits a little calmer at 53/100. Measured 98% alike. Nearly the same tempo, too (120 BPM).

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Stimela — Hugh Masekela moderate 120 BPM

Measures 98% the same. It sits a little calmer at 53/100. Same layered texture.

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Pain — Jimmy Eat World moderate 120 BPM

A 98% feel-match — carries the same intense pull and sits a little calmer at 53/100. Nearly the same tempo, too (120 BPM).

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Black Night White Light — Frankie Goes to Hollywood moderate 120 BPM

98% match across our 8 measured dimensions; it sits a little calmer at 53/100. Same layered texture.

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Warriors of the Wasteland — Frankie Goes to Hollywood moderate 120 BPM

Keeps the same intense pull — sits a little calmer at 53/100. Measured 98% alike. Nearly the same tempo, too (120 BPM).

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Shape of Things to Come — Audioslave moderate 120 BPM

Measures 98% the same. It sits a little calmer at 53/100. Same layered texture.

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Rusty Cage — Johnny Cash moderate 120 BPM

A 98% feel-match — carries the same intense pull and sits a little calmer at 53/100. Nearly the same tempo, too (120 BPM).

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Get It Right — Seether moderate 120 BPM

98% match across our 8 measured dimensions; it sits a little calmer at 53/100. Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when Awful is more than you want right now.

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Warrior — Steve Earle moderate 120 BPM

Keeps the same feel of the original, but it measures markedly calmer overall. Intensity 49/100, down from 60. Nearly the same tempo, too.

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Condi Condi — Steve Earle moderate 120 BPM

It measures markedly calmer overall, so it lands at 49/100 — the pull without the edge. Nearly the same tempo, too.

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Rich Man's War — Steve Earle moderate 120 BPM

If it's the same feel you're after, this delivers it while it measures markedly calmer overall. Reads 49/100. Nearly the same tempo, too.

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Amerika v6.0 — Steve Earle moderate 120 BPM

Holds the same feel while it measures markedly calmer overall. 49/100, versus the original's 60. Nearly the same tempo, too.

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Sing My Loves — Cave In moderate 120 BPM

Keeps the same feel of the original, but it eases off just enough to take the edge off. Intensity 53/100, down from 60. Nearly the same tempo, too.

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Stained Silver — Cave In moderate 120 BPM

It eases off just enough to take the edge off, so it lands at 60/100 — the pull without the edge. Nearly the same tempo, too.

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Crisis — Freddie Hubbard moderate 120 BPM

If it's the same feel you're after, this delivers it while it measures markedly calmer overall. Reads 50/100. Nearly the same tempo, too.

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Crisis — Art Blakey moderate 120 BPM

Holds the same feel while it measures markedly calmer overall. 50/100, versus the original's 60. Nearly the same tempo, too.

Frequently asked

What songs sound like “Awful” by Hole?

The closest feel-matches we measure are “Daddy's Gonna Pay for Your Crashed Car” by U2, “Sex Dwarf” by Soft Cell, “Gates of Tomorrow” by Iron Maiden — the top match scores 98% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “Awful” but calmer?

“Warrior” by Steve Earle, “Condi Condi” by Steve Earle, “Rich Man's War” by Steve Earle keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “Awful”?

It measures 60/100 on our intensity scale, computed from a dynamic range of 7/10, layered texture, mild sudden shifts, and dynamic vocals. Tempo is 120 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 77% of songs, calmer than the other 23%. Its intensity reading of 60/100 comes from a dynamic range of 7/10, layered texture, mild shifts, and dynamic vocals. Relatively few songs occupy this exact corner of the spectrum.

What makes it unusual

What stands out most about this song is blazing intensity: more extreme on that axis than 77% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep2/10
Focus6/10
Workout7/10
Dinner6/10
Party / hype6/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1998 in context

The 339 songs we’ve measured from 1998 average a dynamic range of 6.3/10. At 7/10, this track is louder and more dynamic than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity60
Dynamics67
Tempo44
Surprise25
Density33
Predictability50
Vocal force75
Trigger load25

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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