10 songs that feel like Autumn in New York
Matched to Autumn in New York by Dexter Gordon on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.
A 99% feel-match — carries the same intimate pull and lands at almost exactly the same energy (36/100). Nearly the same tempo, too (90 BPM).
98% match across our 8 measured dimensions; it lands at almost exactly the same energy (37/100). Same layered texture.
Keeps the same contemplative pull — lands at almost exactly the same energy (36/100). Measured 98% alike.
Measures 98% the same. It lands at almost exactly the same energy (36/100). Same layered texture.
A 96% feel-match — carries the same intimate pull and lands at almost exactly the same energy (35/100).
96% match across our 8 measured dimensions; it lands at almost exactly the same energy (35/100). Same layered texture.
Keeps the same intimate pull — lands at almost exactly the same energy (35/100). Measured 96% alike.
Measures 99% the same. It lands at almost exactly the same energy (36/100). Same layered texture.
A 99% feel-match — carries the same contemplative pull and lands at almost exactly the same energy (36/100). Nearly the same tempo, too (90 BPM).
99% match across our 8 measured dimensions; it lands at almost exactly the same energy (36/100). Same layered texture.
Frequently asked
What songs sound like “Autumn in New York” by Dexter Gordon?
The closest feel-matches we measure are “The Mooche” by Duke Ellington, “If I Love Again” by Clifford Brown, “Etude in E Major, Op. 10 No. 3 'Tristesse'” by Frédéric Chopin — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.
How intense is “Autumn in New York”?
It measures 36/100 on our intensity scale, computed from a dynamic range of 6/10, layered texture, mild sudden shifts, and instrumental. Tempo is 90 BPM.
How do you decide which songs are similar?
Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.
By the numbers: how this song compares
Computed from this song’s place among the 19,209 songs we’ve measured.
Where it sits in 19,000 songs
On our 19k-song scale this lands in the middle band — more energetic than 24% of songs, calmer than the other 76%. Its intensity reading of 36/100 comes from a dynamic range of 6/10, layered texture, mild shifts, and instrumental. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.
What makes it unusual
What stands out most about this song is an unusually steady, even volume: more extreme on that axis than 79% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.
Feels almost identical to
Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.
What it’s good for
Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.
1962 in context
The 107 songs we’ve measured from 1962 average a dynamic range of 5.9/10. At 6/10, this track is right in line with its year.
Mixes smoothly with
Within a few BPM and close in feel — they flow without a jarring transition.
The fingerprint
The 8-dimension measurement behind every rating on this page.
Want the single closest match, with every dimension compared?
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