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10 songs that feel like A U R O R A

Matched to A U R O R A by Ben Frost on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

A U R O R A
The song you love
A U R O R A
Ben Frost
intense 85/100 intensity 130 BPM
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The Planets, Op. 32: I. Mars, the Bringer of War — Gustav Holst intense 120 BPM

A 95% feel-match — carries the same cathartic pull and lands at almost exactly the same energy (81/100).

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Symphony No. 6 "Tragic" — Gustav Mahler intense 120 BPM

95% match across our 8 measured dimensions; it lands at almost exactly the same energy (88/100). Same complex texture.

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Piano Sonata No. 23 in F minor, Op. 57 "Appassionata" — Ludwig van Beethoven intense 142 BPM

Keeps the same cathartic pull — lands at almost exactly the same energy (90/100). Measured 95% alike.

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Sacrificial Dance — Igor Stravinsky intense 120 BPM

Measures 94% the same. It lands at almost exactly the same energy (88/100). Same complex texture.

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Four Ton Mantis — Amon Tobin intense 125 BPM

A 91% feel-match — carries the same cathartic pull and sits a little calmer at 77/100. Nearly the same tempo, too (125 BPM).

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Diminuendo and Crescendo in Blue — Duke Ellington intense 140 BPM

91% match across our 8 measured dimensions; it sits a little calmer at 78/100. Same complex texture.

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Bitches Brew — Miles Davis intense 120 BPM

Keeps the same cathartic pull — sits a little calmer at 76/100. Measured 90% alike.

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Ballade No. 1 in G Minor, Op. 23 — Frédéric Chopin intense 120 BPM

Measures 90% the same. It sits a little calmer at 76/100. Same complex texture.

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Carmen Fantasy — Yo-Yo Ma intense 120 BPM

A 90% feel-match — carries the same cathartic pull and sits a little calmer at 76/100.

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Etude in C Minor, Op. 10 No. 12 'Revolutionary' — Frédéric Chopin intense 140 BPM

89% match across our 8 measured dimensions; it sits a little calmer at 74/100. Same complex texture.

…and if you want it calmer

Same feeling, measured gentler — for when A U R O R A is more than you want right now.

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What We All Come to Need — Pelican moderate 120 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 7 where the original climbs to 9. Intensity 43/100, down from 85. Nearly the same tempo, too.

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Angel Tears — Pelican moderate 120 BPM

Its dynamic range stays a gentler 7 where the original climbs to 9, so it lands at 43/100 — the pull without the edge. Nearly the same tempo, too.

Slide Tackle by Japanese Breakfast
Slide Tackle — Japanese Breakfast moderate 128 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 7 where the original climbs to 9. Reads 54/100. Nearly the same tempo, too.

Joshua Fit the Battle of Jericho by Mahalia Jackson
Joshua Fit the Battle of Jericho — Mahalia Jackson moderate 120 BPM

Holds the same feel while it measures markedly calmer overall. 64/100, versus the original's 85. Nearly the same tempo, too.

Mean Woman Blues by Roy Orbison
Mean Woman Blues — Roy Orbison moderate 120 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 7 where the original climbs to 9. Intensity 60/100, down from 85. Nearly the same tempo, too.

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Bring Your Love Down (Didn't I) — Yazoo moderate 115 BPM

Its dynamic range stays a gentler 6 where the original climbs to 9, so it lands at 49/100 — the pull without the edge.

I'm Coming Out by Diana Ross
I'm Coming Out — Diana Ross moderate 115 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 7 where the original climbs to 9. Reads 52/100.

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Armistice — Phoenix moderate 120 BPM

Holds the same feel while its dynamic range stays a gentler 7 where the original climbs to 9. 60/100, versus the original's 85. Nearly the same tempo, too.

Frequently asked

What songs sound like “A U R O R A” by Ben Frost?

The closest feel-matches we measure are “The Planets, Op. 32: I. Mars, the Bringer of War” by Gustav Holst, “Symphony No. 6 "Tragic"” by Gustav Mahler, “Piano Sonata No. 23 in F minor, Op. 57 "Appassionata"” by Ludwig van Beethoven — the top match scores 95% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “A U R O R A” but calmer?

“What We All Come to Need” by Pelican, “Angel Tears” by Pelican, “Slide Tackle” by Japanese Breakfast keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “A U R O R A”?

It measures 85/100 on our intensity scale, computed from a dynamic range of 9/10, complex texture, extreme sudden shifts, and instrumental. Tempo is 130 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

This is one of the more intense things in our library — more energetic than 97% of the 19,209 songs we've measured. Its intensity reading of 85/100 comes from a dynamic range of 9/10, complex texture, extreme shifts, and instrumental. Relatively few songs occupy this exact corner of the spectrum.

What makes it unusual

What stands out most about this song is blazing intensity: more extreme on that axis than 97% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

Dial the feeling up or down

What it’s good for

Sleep0/10
Focus2/10
Workout9/10
Dinner4/10
Party / hype9/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

2014 in context

The 313 songs we’ve measured from 2014 average a dynamic range of 6.4/10. At 9/10, this track is louder and more dynamic than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity85
Dynamics89
Tempo50
Surprise100
Density60
Predictability100
Vocal force0
Trigger load0

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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