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10 songs that feel like A Means to an End

Matched to A Means to an End by Joy Division on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

A Means to an End
The song you love
A Means to an End
Joy Division
moderate 52/100 intensity 116 BPM
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Hasta el Fin — Banda MS moderate 115 BPM

A 99% feel-match — carries the same heavy pull and lands at almost exactly the same energy (52/100). Nearly the same tempo, too (115 BPM).

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Burn the Witch — Radiohead moderate 124 BPM

98% match across our 8 measured dimensions; it lands at almost exactly the same energy (53/100). Same layered texture.

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Sweet Nothing — Calvin Harris feat. Florence Welch moderate 126 BPM

Keeps the same heavy pull — lands at almost exactly the same energy (53/100). Measured 98% alike.

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Iron Man — Black Sabbath moderate 130 BPM

Measures 97% the same. It lands at almost exactly the same energy (54/100). Same layered texture.

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You're Gonna Miss Me — 13th Floor Elevators intense 120 BPM

A 97% feel-match — carries the same heavy pull and runs a little hotter at 60/100. Nearly the same tempo, too (120 BPM).

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freefall — björk moderate 120 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (53/100). Same layered texture.

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Bamba — Youssou N'Dour moderate 95 BPM

Keeps the same heavy pull — lands at almost exactly the same energy (51/100). Measured 96% alike.

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Cities in Dust — Siouxsie and the Banshees moderate 120 BPM

Measures 96% the same. It lands at almost exactly the same energy (49/100). Same layered texture.

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Take Me to Church — Hozier moderate 124 BPM

A 95% feel-match — carries the same heavy pull and lands at almost exactly the same energy (57/100). Nearly the same tempo, too (124 BPM).

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Ohio — Crosby, Stills, Nash & Young moderate 128 BPM

95% match across our 8 measured dimensions; it lands at almost exactly the same energy (50/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when A Means to an End is more than you want right now.

Let's Stay Together by Al Green
Let's Stay Together — Al Green safe 123 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 5 where the original climbs to 7. Intensity 24/100, down from 52. Nearly the same tempo, too.

Lloyd, I'm Ready to Be Heartbroken by Camera Obscura
Lloyd, I'm Ready to Be Heartbroken — Camera Obscura safe 120 BPM

Its dynamic range stays a gentler 5 where the original climbs to 7, so it lands at 23/100 — the pull without the edge. Nearly the same tempo, too.

The Girl from Ipanema by Stan Getz
The Girl from Ipanema — Stan Getz safe 120 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 5 where the original climbs to 7. Reads 23/100. Nearly the same tempo, too.

My Way by Frank Sinatra
My Way — Frank Sinatra safe 60 BPM

Holds the same feel while nothing in it lurches or startles. 37/100, versus the original's 52.

Jealous Guy by John Lennon
Jealous Guy — John Lennon safe 76 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 5 where the original climbs to 7. Intensity 22/100, down from 52.

Weak by SWV
Weak — SWV safe 92 BPM

Nothing in it lurches or startles, so it lands at 25/100 — the pull without the edge.

Chega de Saudade by Joao Gilberto
Chega de Saudade — Joao Gilberto safe 100 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 3 where the original climbs to 7. Reads 14/100.

Essence by Wizkid
Essence — Wizkid safe 100 BPM

Holds the same feel while its dynamic range stays a gentler 5 where the original climbs to 7. 22/100, versus the original's 52.

Frequently asked

What songs sound like “A Means to an End” by Joy Division?

The closest feel-matches we measure are “Hasta el Fin” by Banda MS, “Burn the Witch” by Radiohead, “Sweet Nothing” by Calvin Harris feat. Florence Welch — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “A Means to an End” but calmer?

“Let's Stay Together” by Al Green, “Lloyd, I'm Ready to Be Heartbroken” by Camera Obscura, “The Girl from Ipanema” by Stan Getz keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “A Means to an End”?

It measures 52/100 on our intensity scale, computed from a dynamic range of 7/10, layered texture, mild sudden shifts, and dynamic vocals. Tempo is 116 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 68% of songs, calmer than the other 32%. Its intensity reading of 52/100 comes from a dynamic range of 7/10, layered texture, mild shifts, and dynamic vocals. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is blazing intensity: more extreme on that axis than 68% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep3/10
Focus7/10
Workout3/10
Dinner7/10
Party / hype6/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1980 in context

The 257 songs we’ve measured from 1980 average a dynamic range of 6.3/10. At 7/10, this track is louder and more dynamic than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity52
Dynamics67
Tempo42
Surprise25
Density33
Predictability50
Vocal force75
Trigger load0

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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