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10 songs that feel like A Love Supreme, Pt. III - Pursuance

Matched to A Love Supreme, Pt. III - Pursuance by John Coltrane on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

A Love Supreme, Pt. III - Pursuance
The song you love
A Love Supreme, Pt. III - Pursuance
John Coltrane
moderate 49/100 intensity 140 BPM
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Glad To Be Unhappy — Eric Dolphy moderate 140 BPM

A 99% feel-match — carries the same emotional pull and lands at almost exactly the same energy (49/100). Nearly the same tempo, too (140 BPM).

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Chocolate Chip Trip — Tool moderate 140 BPM

94% match across our 8 measured dimensions; it lands at almost exactly the same energy (45/100). Same layered texture.

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Saxophone Colossus — Sonny Rollins moderate 140 BPM

Keeps the same introspective pull — lands at almost exactly the same energy (49/100). Measured 99% alike. Nearly the same tempo, too (140 BPM).

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Mandrake — Eric Dolphy moderate 140 BPM

Measures 99% the same. It lands at almost exactly the same energy (49/100). Same layered texture.

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Galaxy In Janaki — Flying Lotus intense 170 BPM

A 87% feel-match — carries the same transcendent pull and runs a little hotter at 62/100.

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G-Man — Sonny Rollins moderate 140 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (49/100). Same layered texture.

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German Haircut — Flying Lotus moderate 140 BPM

Keeps the same introspective pull — lands at almost exactly the same energy (45/100). Measured 96% alike. Nearly the same tempo, too (140 BPM).

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Zodiac Shit — Flying Lotus moderate 95 BPM

Measures 89% the same. It sits a little calmer at 41/100. Same layered texture.

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Tha — Aphex Twin moderate 135 BPM

A 94% feel-match — carries the same introspective pull and lands at almost exactly the same energy (44/100). Nearly the same tempo, too (135 BPM).

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Everything In Its Right Place — Radiohead moderate 128 BPM

90% match across our 8 measured dimensions; it lands at almost exactly the same energy (50/100). Same layered texture.

…and if you want it calmer

Same feeling, measured gentler — for when A Love Supreme, Pt. III - Pursuance is more than you want right now.

The Times They Are a-Changin' by Bob Dylan
The Times They Are a-Changin' — Bob Dylan safe 120 BPM

Keeps the same feel of the original, but nothing in it lurches or startles. Intensity 27/100, down from 49.

Stardust by Louis Armstrong
Stardust — Louis Armstrong safe 60 BPM

Its dynamic range stays a gentler 5 where the original climbs to 7, so it lands at 18/100 — the pull without the edge.

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Oblivions — The National safe 110 BPM

If it's the same feel you're after, this delivers it while its dynamic range stays a gentler 5 where the original climbs to 7. Reads 22/100.

Nice Work If You Can Get It by Ella Fitzgerald
Nice Work If You Can Get It — Ella Fitzgerald safe 140 BPM

Holds the same feel while its dynamic range stays a gentler 4 where the original climbs to 7. 21/100, versus the original's 49. Nearly the same tempo, too.

Sæglópur by Sigur Rós
Sæglópur — Sigur Rós safe 90 BPM

Keeps the same feel of the original, but its dynamic range stays a gentler 4 where the original climbs to 7. Intensity 31/100, down from 49.

If I Were a Boy by Beyoncé
If I Were a Boy — Beyoncé safe 92 BPM

Nothing in it lurches or startles, so it lands at 28/100 — the pull without the edge.

Please, Please, Please by James Brown
Please, Please, Please — James Brown safe 80 BPM

If it's the same feel you're after, this delivers it while nothing in it lurches or startles. Reads 32/100.

Champagne Problems by Taylor Swift
Champagne Problems — Taylor Swift safe 68 BPM

Holds the same feel while its dynamic range stays a gentler 5 where the original climbs to 7. 27/100, versus the original's 49.

Frequently asked

What songs sound like “A Love Supreme, Pt. III - Pursuance” by John Coltrane?

The closest feel-matches we measure are “Glad To Be Unhappy” by Eric Dolphy, “Chocolate Chip Trip” by Tool, “Saxophone Colossus” by Sonny Rollins — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

What songs are like “A Love Supreme, Pt. III - Pursuance” but calmer?

“The Times They Are a-Changin'” by Bob Dylan, “Stardust” by Louis Armstrong, “Oblivions” by The National keep a similar feel while measuring gentler — lower dynamic swing, fewer sudden shifts, or a calmer overall level.

How intense is “A Love Supreme, Pt. III - Pursuance”?

It measures 49/100 on our intensity scale, computed from a dynamic range of 7/10, layered texture, mild sudden shifts, and instrumental. Tempo is 140 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

On our 19k-song scale this lands in the middle band — more energetic than 55% of songs, calmer than the other 45%. Its intensity reading of 49/100 comes from a dynamic range of 7/10, layered texture, mild shifts, and instrumental. It shares this stretch of the spectrum with thousands of other tracks, so the finer fingerprint below is what really separates it.

What makes it unusual

What stands out most about this song is a fast, driving tempo: more extreme on that axis than 90% of everything we've measured. At the far opposite end of the library sit the songs built on near-total stillness — steady volume, no surprises, a slow and unhurried pulse — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

Dial the feeling up or down

Same feeling, bigger: High Ball Stepper — Jack White

What it’s good for

Sleep5/10
Focus9/10
Workout6/10
Dinner7/10
Party / hype5/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1965 in context

The 133 songs we’ve measured from 1965 average a dynamic range of 5.9/10. At 7/10, this track is louder and more dynamic than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity49
Dynamics67
Tempo56
Surprise25
Density33
Predictability100
Vocal force0
Trigger load13

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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