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10 songs that feel like 50 Ways to Leave Your Lover

Matched to 50 Ways to Leave Your Lover by Paul Simon on how the music actually moves — intensity, dynamic swing, texture, tempo — not by genre tag. Here's what makes each one a match.

50 Ways to Leave Your Lover
The song you love
50 Ways to Leave Your Lover
Paul Simon
safe 18/100 intensity 108 BPM
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Dum Dum Diddle — ABBA safe 110 BPM

A 99% feel-match — carries the same playful pull and lands at almost exactly the same energy (19/100). Nearly the same tempo, too (110 BPM).

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Six White Horses — Gillian Welch safe 110 BPM

99% match across our 8 measured dimensions; it lands at almost exactly the same energy (19/100). Same smooth texture.

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I've Been Working on the Railroad — Traditional safe 110 BPM

Keeps the same playful pull — lands at almost exactly the same energy (19/100). Measured 99% alike. Nearly the same tempo, too (110 BPM).

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Hello Hello — Dan Zanes and Friends safe 110 BPM

Measures 99% the same. It lands at almost exactly the same energy (19/100). Same smooth texture.

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M-O-M — Ralph's World safe 110 BPM

A 99% feel-match — carries the same playful pull and lands at almost exactly the same energy (19/100). Nearly the same tempo, too (110 BPM).

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If You Want to Sing Out, Sing Out — Cat Stevens safe 92 BPM

97% match across our 8 measured dimensions; it lands at almost exactly the same energy (17/100). Same smooth texture.

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Riding in My Car — Woody Guthrie safe 100 BPM

Keeps the same playful pull — lands at almost exactly the same energy (18/100). Measured 98% alike. Nearly the same tempo, too (100 BPM).

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Sing — Sesame Street safe 100 BPM

Measures 98% the same. It lands at almost exactly the same energy (18/100). Same smooth texture.

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Dear Abby — John Prine safe 110 BPM

A 96% feel-match — carries the same playful pull and lands at almost exactly the same energy (19/100). Nearly the same tempo, too (110 BPM).

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Some Girls Are Bigger Than Others — The Smiths safe 105 BPM

96% match across our 8 measured dimensions; it lands at almost exactly the same energy (18/100). Same smooth texture.

Frequently asked

What songs sound like “50 Ways to Leave Your Lover” by Paul Simon?

The closest feel-matches we measure are “Dum Dum Diddle” by ABBA, “Six White Horses” by Gillian Welch, “I've Been Working on the Railroad” by Traditional — the top match scores 99% alike. Matching is by how the songs actually move (intensity, dynamic range, texture, tempo, predictability, vocal force), not by genre tag or popularity.

How intense is “50 Ways to Leave Your Lover”?

It measures 18/100 on our intensity scale, computed from a dynamic range of 4/10, smooth texture, no sudden shifts, and soft vocals. Tempo is 108 BPM.

How do you decide which songs are similar?

Every song in our catalog is measured on 8 dimensions — intensity, dynamic range, tempo, sudden changes, texture, predictability, vocal force and fine sound detail. Similarity is the distance between two songs across those measurements, so matches cross genres and eras. Shared mood tags break ties.

By the numbers: how this song compares

Computed from this song’s place among the 19,209 songs we’ve measured.

Where it sits in 19,000 songs

This sits near the calm end of everything we've measured — gentler than 92% of the 19,209 songs in the library. Its intensity reading of 18/100 comes from a dynamic range of 4/10, smooth texture, no sudden shifts, and soft vocals. Relatively few songs occupy this exact corner of the spectrum.

What makes it unusual

What stands out most about this song is an unusually steady, even volume: more extreme on that axis than 97% of everything we've measured. At the far opposite end of the library sit the songs built on full chaos — sudden changes, huge quiet-to-loud swings, and relentless energy — the kind of track this one is the counterpoint to.

Feels almost identical to

Closest matches by feel across all 19,209 measured songs — not by genre or artist, by how they actually move.

What it’s good for

Sleep9/10
Focus10/10
Workout1/10
Dinner7/10
Party / hype1/10

Scored from this song’s tempo, intensity, dynamics and texture — not crowd votes.

1975 in context

The 249 songs we’ve measured from 1975 average a dynamic range of 6.2/10. At 4/10, this track is gentler and steadier than its year.

Mixes smoothly with

Within a few BPM and close in feel — they flow without a jarring transition.

The fingerprint

Intensity18
Dynamics33
Tempo38
Surprise0
Density0
Predictability0
Vocal force25
Trigger load13

The 8-dimension measurement behind every rating on this page.

Want the single closest match, with every dimension compared?

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