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Not For Threes

Not For Threes

Plaid · 1997 · 12 tracks

A balanced album — rises and falls. 1 safe anchors, 11 moderate, 0 intense.

1 safe 11 moderate 0 intense Avg DR 5.9
The character of Not For Threes

Across the 12 Not For Threes songs we've measured, intensity averages 39/100 — calmer than the typical song we measure (46/100).

They run from On a Balcony (the calmest here, 35) to Snake Bath (the most charged, 39), with layered textures most common and a mix of the expected and the surprising. It spans 1997–2003.

The widest dynamic swing belongs to Itsu.

Sensory Arc

Bar height = dynamic range. Color = sensory level. Hover or tap to identify each track.

Tracklist

1
Itsu
contemplative · dreamy
DR 6 moderate
2
Squance
energetic · introspective
DR 6 moderate
3
Ti Bom
energetic · playful
DR 6 moderate
4
Lambs Caribou
contemplative · dreamy · introspective
DR 6 moderate
5
Cedar City
contemplative · energetic
DR 6 moderate
6
Dr Stairwell
energetic · introspective
DR 6 moderate
7
Ralome
contemplative · introspective
DR 6 moderate
8
E Ratio
contemplative · dreamy
DR 6 moderate
9
On a Balcony
calm · introspective
DR 5 safe
10
All to Get Her
energetic · introspective
DR 6 moderate
11
Crumax Rins
dreamy · introspective
DR 6 moderate
12
Snake Bath
energetic · introspective
DR 6 moderate

Frequently asked about Not For Threes

Answered from our measurements of every track above.

What is the most intense Not For Threes track?

Of the 12 Not For Threes tracks we've measured, “Snake Bath” scores highest at 39/100 for intensity — computed from its dynamic range, texture, sudden changes and tempo.

What is the calmest Not For Threes track?

“On a Balcony” measures gentlest at 35/100. It runs 120 BPM. The tracks here span 35–39 on our 0–100 intensity scale.

How intense is Not For Threes overall?

Not For Threes averages 39/100 intensity across 12 measured tracks — calmer than the 46/100 catalog average.

What is the average tempo of Not For Threes?

The Not For Threes tracks we've measured average about 120 BPM — upbeat.

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