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Recovering the Satellites

Counting Crows · 1996 · 7 tracks

A balanced album — rises and falls. 0 safe anchors, 7 moderate, 0 intense.

0 safe 7 moderate 0 intense Avg DR 6.1
The character of Recovering the Satellites

Across the 7 Recovering the Satellites songs we've measured, intensity averages 46/100 — right around the catalog average (46/100).

They run from Colorblind (the calmest here, 38) to Recovering the Satellites (the most charged, 50), with layered textures most common and a mix of the expected and the surprising. Most of it lands around 1996.

The widest dynamic swing belongs to Recovering the Satellites.

Sensory Arc

Bar height = dynamic range. Color = sensory level. Hover or tap to identify each track.

Tracklist

1
A Long December
introspective · melancholy · reflective
DR 6 moderate
2
Colorblind
melancholy · reflective
DR 6 moderate
3
Amy Hit the Atmosphere
introspective · melancholy
DR 6 moderate
4
Angels of the Silences
energetic · introspective · melancholy
DR 6 moderate
5
Daylight Fading
melancholy · reflective
DR 6 moderate
6
Recovering the Satellites
introspective · melancholy · reflective
DR 7 moderate
7
Goodnight Elisabeth
introspective · melancholy · reflective
DR 6 moderate

Frequently asked about Recovering the Satellites

Answered from our measurements of every track above.

What is the most intense Recovering the Satellites track?

Of the 7 Recovering the Satellites tracks we've measured, “Recovering the Satellites” scores highest at 50/100 for intensity — computed from its dynamic range, texture, sudden changes and tempo.

What is the calmest Recovering the Satellites track?

“Colorblind” measures gentlest at 38/100. It runs 80 BPM. The tracks here span 38–50 on our 0–100 intensity scale.

How intense is Recovering the Satellites overall?

Recovering the Satellites averages 46/100 intensity across 7 measured tracks — right at our 46/100 catalog average.

What is the average tempo of Recovering the Satellites?

The Recovering the Satellites tracks we've measured average about 90 BPM — midtempo.

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